Alice In Chains
Layne en silla de ruedas
Es solo una parte del concierto en la que tocan
7.Put You Down
8. Sickman
9. It Ain’t Like That
El resto del concierto lo podéis encontrar facilmente en youtube! disfrutadlo!
Setlist y review del concierto de Eddie Vedder en LONG BEACH
01. Waving Palms
02. Can’t Keep
03. Sleeping By Myself
04. Without You
05. Goodbye (very front only)
06. You’re True
07. Blue, Red And Grey-(Townshend)
08. Longing To Belong w/Rudy Stein playing cello
09. Brain Damage-(Waters)
10. Sometimes
11. I Am Mine
12. Thumbing My Way
13. Long Nights w/Glen Hansard
14. Unthought Known
15. Guaranteed
16. Rise
17. Lukin w/string quartet (fast version)
18. Just Breathe w/string quartet
19. The End w/string quartet
20. Arc
Encore Break 1
21. I’m One-(Townshend)
22. Elderly Woman Behind The Counter In A Small Town
23. Picture In A Frame-(Kathleen Brennan/Tom Waits)
24. Sleepless Nights w/Glen Hansard-(Boudleaux Bryant, Felice Bryant)
25. Society w/Glen Hansard-(Jerry Hannan)
26. Falling Slowly w/string quartet {Glen singing and playing acoustic, Eddie duet vocal}-(Glen Hansard, Markéta Irglová)
27. 4th Of July-(Dave Alvin)
28. Porch
Encore Break 2
29. Hard Sun w/Glen Hansard-(Peterson)
30. Yellow Ledbetter w/Mike McCready
Aquí la review, que está en inglés y me entró la pereza… supongo que comprenderéis el por qué
I just got home from Eddie Vedder’s show in Long Beach and the show was amazing. Me and my buddy were probably the youngest people at the show. This review will be kind of scatterbrained, but here it goes.
I’m glad Eddie played Long Beach and not just Los Angeles; it was a thrill going to a pretty nice area to see a concert. No offense LA. The opening act (and also part of Eddie’s show on certain songs) Glen Hansard was great, you can tell why Eddie picked him as his opener. I seem to have had better luck with openers this year with concerts (I enjoyed Chris Cornell’s opener in May). Mike McCready showed up just a few minutes before Eddie went on, when fans saw him walk to seats in the front they went nuts, Mike acknowledged the fans. I had a feeling Mike would show up since he’s playing the national anthem at the Angels/Mariners game tomorrow (I’ll be there for that) and has been doing a lot of soundtrack/scoring work. Eddie went on at around 8:50, and when Eddie played “Can’t Keep” I knew it was going to be a fantastic show. The next few songs were mainly Ukulele Songs stuff, and seeing them performed live made me really like them more. While I like Ukulele Songs, there were certain songs I wasn’t as into until seeing them performed tonight.
The show really kicked into high gear during “Sometimes.” Call me biased towards Pearl Jam, but once Eddie started belting out that chorus is got me pumped up. He followed that up with two more Pearl Jam classics (I Am Mine and Thumbing My Way), and to me this series of three songs was one of the best parts of the show. It was nice to see some songs from Riot Act performed live, as that’s always been one of my favorite Pearl Jam albums (since my Dad played it to death in 2002/2003). “Unthought Known” is another great live song, when Eddie performed it tonight and also when I saw Pearl Jam perform it in LA two years ago. It was awesome to see stuff from Into the Wild performed live, since this was the first time I have seen Eddie solo. “Just Breathe” and “The End” were just as epic as when I saw them live at the Gibson Ampitheatre in 09. When Glen Hansard came out to do certain songs with Eddie I thought they sounded great together, especially during “Long Nights” (where Eddie hilarious fucked up the opening).
“Elderly Woman Behind The Counter In A Small Town” was great, the crowd knew every damn word like always. I knew that “Porch” was likely based on prior setlists but it was awesome to see such a heavy Ten song in a stripped down setting. I’d say my favorite stuff of the night was Pearl Jam/Eddie stuff, I enjoyed a lot of the covers but there’s just a certain passion Eddie puts into his own stuff.
The last encore was the best part of the show, everybody was standing when Eddie and Glen performed “Hard Sun.” It really had a different vibe from the rest of the show with the house lights being on and Eddie just going crazy on the guitar near the end. Then after that, Eddie mentioned that there was somebody there but he hadn’t seen him yet. Mike McCready then walked on stage and the crowd erupted, Eddie and Mike embraced and then they played “Yellow Ledbetter.” It was epic. Eddie helped the guys pick up some of the gear as the show ended, Eddie showed his appreciation to the crowd. This was really a great show, Eddie was intense while also telling hilarious jokes and stories. One of the best shows I’ve been to in the last couple of years, it was incredibly diverse setlist and performance wise. Eddie’s definitely one of the best ever, when he sings and plays it just comes off as so natural.
Here are some funny things and stories that Eddie told throughout the concert. I may have certain words wrong and what not since I’m basing this all on memory.
Said after the first song that this show was already better than last night’s.
Told a story about writing songs with ukuleles. He mentioned that all you need is a ukulele and a girl to fall in love with to write a song. He also threw in a joke about fucking too, mentioning that that’s a good part about it. Also said that breaking up causes you to write even more songs.
He made a joke about his ukulele and he had a fondness for inanimate objects when he was younger, including a bong.
Told a story about Glen Hansard and how they bonded over tragedies occurring at their concerts.
Gave a shout out to the people in the back who were on upper levels, and pointed out a guy in the front and said he was higher than any of them.
After playing “Lukin” he said something along the lines of, “and now something more appropriate” and played “Just Breathe.”
Somebody yelled out that Eddie should take off his clothes.
Eddie said that he was going all out tonight because he has a day off tomorrow. He mentioned that he would get some reading in by reading Bristol Palin’s new book. He said that he had been into Russian books recently, and joked he wanted to read Bristol’s. He said he heard it sold 13 copies.
Eddie said at one point during the show he wanted to play a banjo, he went around looking for it and couldn’t find it so he went back to sit down. One of his guys came out with it and Eddie said he’d play it later. He never did!
I saw some guy in a PJ20 shirt walking around playing the ukulele before the show.
Los directores de «Jeremy» y «SLTS» se evalúan mutuamente!
El director de Jeremy, Mark Pellington:
Fucking Sam Bayer is great. Just totally different style than mine. Incredible song, of course. It was dark and ugly and sexy, and Cobain was creepy and funny. It’s just like, God, I can’t imagine the song and the video separate from each other. The video sort of defined that song, and the time—it was just post-Madonna, post-Jovi, you know what I mean? It was like, This is what we need. It was the tonic for the times.
El jodido Sam Bayaer es genial, tiene un estilo totalmente diferente al mío. También una canción increible, Era oscura, fea y sexy y Cobain estaba espeluznante y divertido. Era como, Dios, no me puedo imaginar la canción separada del video y viceversa. El video define a la canción, y el tiempo, era como pos Madonna, pos ¿Sabes lo que digo?, era como, esto es lo que necesito. Fue la tónica de los tiempos
http://www.youtube.com/watch?v=hTWKbfoikeg&ob=av2e
Director de SLTS, Samuel Bayer:
I think Mark Pellington is a really talented guy; Pearl Jam’s an amazing band. I just thought my Nirvana video was more interesting. I never liked seeing lyrics brought to life literally. I don’t wanna see children frozen, covered in blood. I don’t wanna picture who Jeremy is. I was too much of an ambitious, jealous, competitive guy to see any merit in that video.
Pìenso que Mark Pellington es un tio con verdadero talento; Y Pearl Jam es una banda alucinante. Pienso que mi video de Nirvana era más interesante. Nunca me gusto las letras que cobran vida, literalmente. No quería ver a niños confelados y cuviertos de sangre. No quiero imaginar quien es Jeremy. Yo era demasiado ambicioso, celoso y competitivo para ver algún mérito en ese video
Janet Billig, manager de Hole
Right when it started coming out that Kurt was doing drugs, I remember Steven Tyler called and wanted to help. I told Kurt, ‘Holy shit, Steven Tyler called my office and he wants to help you. Can I give him your number?’ And he was like, ‘Steven Tyler got to be a junkie for 18 fuckin’ years. I’ve only been doing drugs for an hour.’ Lots of stars called. Kirstie Alley called a lot for Courtney to try and make her become a Scientologist.
Justo cuando empezó a salir que Kurt estaba con las drogas, yo recuerdo que Steven Tayler (Aerosmith) llamó y quiso ayudar. Le dije a Kurt, » Sagrada mierda, Steve Tayler ha llamado a mi oficina y quiere ayudarte!, ¿Puedo darle tu número? Y el estaba como «Steven Tayler a sido un drogadicto durante 18 años! Yo solo lo he sido durante una hora. Muchas estrellas llamaron. Kirstey Alley llamó mucho a Courtney para intentar convertirla en ciencióloga…
Vídeo de Eddie Vedder siendo entrevistado en el BRIDGE SCHOOL // Video of Eddie Vedder being interviewed at the BRIDGE SCHOOL
Empieza en el minuto 1:41 y creo que el vídeo es de ya hace 1 año, pero el vídeo no ha sido subido hasta hace 1 mes
Smells Like Teen Spirit de Nirvana no podrá ser Nº1 estas Navidades en Inglaterra // Nirvana’s Smells Like Teen Spirit may not be no. 1 this Christmas in England
Sacado de NME.com
El hombre detrás de la campaña de que «Smells Like Teen Spirit» fuese Nº1 estás navidades en el ranking de Inglaterra acaba de perder sus posibilidades de éxito, junto con descartar las esperanzas de sus rivales de Factor X-ganador mezcla poco.
Jon Morter, quien también inició la campaña de 2009′s para hacer la canción de Rage Against The Machine ‘Killing In The Name» Número uno Navideño. Military Wives tiene más posibilidades
Ha dicho:
Creo que va ser mucho más difícil que la campaña de Rage Against The Machine, que era difícil y sangrienta. Hay mucho más en juego. Military Wives tiene una gran cantidad de pedidos. Con total honestidad, creo que hay que echarle un ojo
En English
The man behind the campaign to score Nirvana a Christmas Number One with ‘Smells Like Teen Spirit’ has played down his chances of success – along with dismissing the hopes of their X Factor-winning rivals Little Mix.
Jon Morter, who also started 2009′s campaign to make Rage Against The Machine’s ‘Killing In The Name’ Christmas Number One believes that Military Wives Choir’s ‘Wherever You Are’ will take the top spot.
He said:
I think it’s going be a lot tougher than the Rage Against The Machine campaign, which was bloody hard. There’s a lot more at stake. The Military Wives single has got a very big amount of pre-orders. In complete honesty, I think that’s the one to keep an eye out for, more than the actual X-Factor.